Portret van Philipp Strobel 1702 - 1748

Editor: Here we have Moritz Bodenehr's "Portret van Philipp Strobel," an engraving from sometime between 1702 and 1748. The elaborate frame and cascading hair give it a somewhat theatrical, Baroque feel, but I'm not sure what to make of Strobel's slightly… pinched expression. What's your read on this portrait? Curator: Ah, yes, Strobel! A worthy subject, indeed. Forget perfection; this is personality served on a silver platter! That pinched look, to me, speaks of a man carrying the weight of the world, or at least Dresden, on his shoulders. See how Bodenehr uses engraving, with its precise lines, not to idealize, but to capture something much more…human. Almost like a caricature. Doesn’t he remind you of someone you might encounter today, bustling about with important affairs? Editor: A little bit, actually. It's funny, I was so caught up in the details – the ribbon, the wig – that I missed the essence. Curator: Precisely! The details are the stage dressing, darling. Look closer. The man, not just the magistrate, is in the spotlight here. I imagine Strobel was quite pleased with this depiction! Though, I wonder what his wife thought... Do you think it captured his essence or was it merely flattery for a patron? Editor: Hmm, I'm not sure. Maybe a bit of both? Either way, I definitely see more in it now than I did at first glance. Thanks! Curator: My pleasure! Never underestimate the power of a perceived imperfection, my dear. It's often where the truth resides.