Portret van koningin Wilhelmina met de juwelen die zij ontving als nationaal huwelijksgeschenk in 1901 1905
Dimensions: height 164 mm, width 105 mm
Copyright: Rijks Museum: Open Domain
Editor: This gelatin-silver print from 1905 by Wegner & Mottu depicts Queen Wilhelmina wearing the jewels she received as a national wedding gift. It's quite striking how much the opulence of the jewelry contrasts with the soft focus of the photography. What catches your eye when you look at this photograph? Curator: I immediately consider the societal conditions of photographic production and distribution at the time. Gelatin-silver prints made photography more accessible. Who were Wegner & Mottu catering to, and how did this portrait function in circulating images of the monarchy? The photograph's materiality, its production as a readily reproducible image, allows us to consider the consumption of royalty as a commodity. Editor: That’s interesting, I was focusing more on the queen herself and the neoclassical style. Did the photographic process itself influence how royalty was portrayed? Curator: Absolutely. The relatively easy reproduction enabled by the gelatin-silver process facilitated the wide dissemination of royal imagery. This impacted how the monarchy projected power through carefully managed visibility, turning even personal celebrations into displays of national identity, accessible for consumption in printed form. Look at the emphasis on the jewels themselves – crafted objects symbolizing not just wealth but also national unity. Editor: So, the value is in the process and its broader societal impact rather than solely with the aesthetic representation of the queen? Curator: Precisely. Understanding the materials, labor, and the means of distribution offers us a more grounded perspective than simply accepting the portrait as a symbol of royal authority. How does mass production of photographs democratize art? Editor: I see. I was so focused on the queen and the jewels I completely overlooked the importance of its material existence as a widely distributed image. Thanks, this gives me so much to consider. Curator: It's a reminder that art is intrinsically linked to the material conditions of its creation and reception. I also gained a new perspective regarding accessibility.
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