Rond blad met een rozet c. 1530 - 1550

Here we see a rosette. The image, crafted by an anonymous hand, presents us with an arrangement of foliage and figures, all meticulously rendered. At its center, a face emerges from a dense cluster of leaves, echoing the ancient motif of the Green Man, a symbol of nature’s untamed power and the cycle of life. Encircling this central emblem, we find smaller vignettes, each containing a profile with winged helmets or ornate headwear. These harken back to classical depictions of gods or heroes, imbuing the rosette with an air of timeless, mythological resonance. Consider the Green Man, whose roots reach back to pre-Christian Europe. In medieval cathedrals, his visage peered down from leafy capitals, a pagan echo within sacred spaces. Over time, this symbol has been reinterpreted, morphing from a representation of wild nature to a decorative element in architectural design. Its persistence reveals a collective memory, a subconscious need to connect with the elemental forces that shape our world. Even now, this image resonates, engaging viewers on a visceral level, stirring something primal within us.