print, photography, gelatin-silver-print
landscape
photography
ancient-mediterranean
gelatin-silver-print
Dimensions: height 165 mm, width 226 mm
Copyright: Rijks Museum: Open Domain
This engraving of ‘Christ before King Herod’ presents a scene laden with complex social and political implications from a position of privilege and power. The anonymous engraving captures a moment where religious authority confronts earthly sovereignty. Consider how Stockmann's work reflects the historical narratives of power, law, and morality. The dynamic between Christ and Herod is a charged one, embodying tensions between spiritual truth and political expediency. Herod, as a ruler appointed by Rome, represents secular authority, while Christ embodies a challenge to such authority. The composition invites us to think about the dynamics of judgment, power, and the complex interplay between the sacred and the secular. This depiction serves not just as a religious illustration, but also as a commentary on governance and morality. It resonates with the ongoing struggle for power and questions the legitimacy of those who govern. The engraving also highlights the personal and emotional weight of standing firm in one's beliefs amidst societal pressures.
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