Plate 1822 - 1825

Editor: Here we have a ceramic plate, simply titled "Plate," created between 1822 and 1825, possibly by Asa Edward Smith. What immediately strikes me is the script; it seems almost celebratory, though the earthen tones are fairly muted. How do you read this piece, focusing on its formal elements? Curator: The script indeed animates the surface. Consider how the calligraphic curves interplay with the circular form of the plate itself. Note the distribution of weight; the artist balances the implied movement of the script with carefully placed flourishes. The gold lettering pops vividly from the brown earthenware; how would you describe that contrast? Editor: I would say the gold is not just contrast, it also imbues the humble material with an unexpected, almost regal quality. How much would you read this stoneware plate with gold typography as merely decorative? Curator: The question is whether that decorative purpose dictates its artistic merit. Observe the tension created by the constrained space and free-flowing calligraphy. Semiotically, the lettering "Lafayette" also contributes to a potential reading: It brings in additional connotations in terms of the decorative elements used in the text to evoke revolutionary connotations of national pride during its making, given his triumphant tour across the country. Does that added symbolism impact the artistry of this particular object, beyond the interplay of form and text? Editor: That's a great point. Knowing about Lafayette’s importance provides another lens, even if just looking at composition and colour alone reveals deliberate artistry. The symbolism is there, an important choice impacting my experience. Curator: Exactly, but it is the object's ability to arrange colour and text on the piece that provides the greatest reward. This is what imbues the object with value beyond simple usefulness, and pushes it toward fine art. Editor: This conversation really changed the way I appreciate the careful choices made in what could otherwise seem like a simple dish. Curator: Likewise. Seeing your engagement allowed me to rethink the dynamic arrangement found in this artwork, and to see how semiotics can expand the conversation further.