Mihrab, een gebedsnis, in een ruïne van een moskee in Ahmedabad by Thomas Biggs

Mihrab, een gebedsnis, in een ruïne van een moskee in Ahmedabad before 1866

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print, photography

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ink paper printed

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print

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landscape

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photography

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ancient-mediterranean

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islamic-art

Dimensions: height 201 mm, width 148 mm

Copyright: Rijks Museum: Open Domain

Here we see a photograph by Thomas Biggs of a Mihrab, a prayer niche, in the ruins of a mosque in Ahmedabad. The mihrab, with its pointed arch, indicates the direction of Mecca towards which Muslims pray. This architectural feature is not merely functional; it is laden with symbolism. The arch itself can be seen as a gateway, not only to Mecca but also to the divine presence. We might recall how arches feature prominently in Roman triumphal arches, signifying victory and access to power. This shape has evolved over time. The arch appears across various cultures, in Christian cathedrals, for instance, pointing heavenwards. In each context, it serves as a visual cue, directing our gaze and, perhaps, our thoughts to something beyond the immediate. The circle within the arch, is a symbol of unity, wholeness, and eternity, evoking deep emotional and psychological responses. Thus, the mihrab is a powerful symbol, engaging viewers on a subconscious level, resurfacing, evolving, and taking on new meanings in different historical contexts.

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