Oblong Spoon Tray 1765 - 1770

Editor: This is an Oblong Spoon Tray, crafted between 1765 and 1770 by the Worcester Porcelain Works. It’s ceramic and porcelain, and currently held at the Minneapolis Institute of Art. The intricate designs, particularly the avian and insect motifs against that rich blue, give it such a delicate feel. How do you see the elements of design working in this piece? Curator: Notice first how the undulating edge plays with the flatness of the base, creating a delightful tension. Then consider the symmetry, not quite perfect, yet fundamentally balanced, directing your eye across the surface. The central medallion of insects creates a focal point from which the avian quadrants radiate. How does this orchestration of space and form strike you? Editor: I see the balance, certainly, and I agree the gold accents enhance the symmetry, creating a sophisticated, formal appearance, while also contrasting that gorgeous dark blue. Curator: Precisely. Now consider the choice of decoration: abstracted forms, idealized portrayals of nature. What might that suggest about its function as a ‘spoon tray’? It’s clearly not just utilitarian. Editor: So, its visual complexity elevates it beyond a simple function? Almost rendering the utility secondary to the aesthetic experience? The vibrant imagery almost overwhelms the practicality, it is so lovely. Curator: A keen observation. The balance of form and function—or rather, the potential dominance of form—places it within a very specific discourse of 18th-century aesthetics and craft. Its construction elevates and refines porcelain work into fine art. What aspects have changed your viewpoint regarding this artifact? Editor: Recognizing the significance of composition and symmetry, and appreciating its departure from pure functionality, that’s broadened my appreciation significantly. Thanks so much! Curator: It was my pleasure to explore this piece alongside you.