print, etching
narrative-art
etching
caricature
genre-painting
Dimensions: height 215 mm, width 275 mm
Copyright: Rijks Museum: Open Domain
Curator: So, here we have “Spotprent over de bezuinigingen, 1883,” a print using etching by Johan Michaël Schmidt Crans. It seems to be making a point about…finances? What’s your initial reaction? Editor: I'm struck by how the artist uses such precise lines in the etching process to create almost a frenetic, busy scene, everyone hunched over what seem to be budgets. It's making me think about labor, and the labor of governing. What aspects stand out to you? Curator: Exactly. Consider the materiality of the etching process itself. The artist, likely working under pressure, uses a copper plate, acid, and careful handwork to reproduce a message for mass consumption. This image wasn't meant for a gallery, but rather mass circulation, becoming a commodity in its own right, a consumable product critiquing, ironically, governmental consumption. How does the knowledge that this print comments on "bezuinigingen" or budget cuts change how you see it? Editor: That's a great point, thinking about the print as a commodity commenting on commodities! Knowing the context, the frenetic energy takes on a different meaning. It's like watching workers scrambling to cut corners, highlighting the labor of maintaining economic power. So it critiques power using the products of labour...I had not considered that. Curator: Precisely. And understanding the materials and processes—the cheapness and reproducibility of a print like this—emphasizes its intended audience. It aimed to incite a popular, rather than elite, understanding of those budget cuts and how those cuts are manufactured and presented to the public. So what does the piece tells us about labour and political engagement, then? Editor: This reframes it. Instead of just seeing a historical record, I'm considering how the print participated in a political discussion by democratizing information. It becomes an act of resistance, produced through labor, commenting on… labor. Thank you for bringing the socio-political-material relationship to light!
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