Dorpsgezicht te Oud-Loosdrecht by Abraham de (II) Haen

Dorpsgezicht te Oud-Loosdrecht 1732

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drawing, ink, pen

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drawing

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aged paper

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baroque

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pen sketch

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sketch book

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landscape

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personal sketchbook

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ink

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sketchwork

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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genre-painting

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storyboard and sketchbook work

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sketchbook art

Copyright: Rijks Museum: Open Domain

This pen drawing is Abraham de Haen's vision of Oud-Loosdrecht, frozen in ink. Note the church: its spire ascends, topped by a cross. The cross, a symbol of sacrifice and redemption, stretches back to antiquity, predating Christianity. It is an emblem that weaves through history, appearing in various forms across cultures – a cosmic axis, a symbol of orientation, a meeting point between worlds. Consider the Ankh in ancient Egypt, a symbol of life and immortality, or the countless variations of the cross in pre-Christian Europe, each bearing its own cultural weight. Now, see how the artist places the church at the center of the village, a visual anchor. This is not merely a depiction of a place, but an invocation of stability, of spiritual grounding. The church, bearing the weight of the cross, stands as a beacon, a testament to humanity’s enduring quest for meaning. The power of this image lies in its subtle echoes, its ability to stir the depths of our collective memory.

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