Panthere by François Pompon

Panthere 1931

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bronze, sculpture

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art-deco

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animal

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sculpture

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bronze

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figuration

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sculpture

Copyright: Public domain

Curator: This sculpture, titled "Panthere," was crafted in 1931 by the French artist François Pompon. It is cast in bronze, showcasing the artist’s remarkable ability to capture animal forms. Editor: Immediately, what strikes me is its stillness. Not static, exactly, but charged with a silent, deliberate energy, like it’s paused mid-step. A breath held. What do you make of that? Curator: I think that reading aligns powerfully with Pompon’s larger artistic project. Post-World War I France experienced this re-emergence of wealth alongside deep cultural anxiety and discussions surrounding consumerism. The sleekness of Art Deco mirrored that context perfectly. In many ways, these were works accessible to wealthy merchants as an emblem of their status and connection to Parisian society. Editor: Interesting, because when I look at that gorgeous, glossy surface, it feels less about luxury, and more about raw power made graceful. Almost meditative. Like the panther has secrets it's keeping very close. Curator: Absolutely. This connects with wider considerations around representations of animals during this era. Looking through a feminist lens, we can draw lines between exoticization and domestication through patriarchal ownership. These objects often became sites where these attitudes were made accessible as part of everyday lived environments. Editor: So the bronze, the smooth finish, isn't just about aesthetics, it’s a cultural statement too? I was so focused on how the light catches those curves... Curator: Precisely. In Pompon’s reduction of form and detail, we actually see a magnification of what an idea of an animal signifies when removed from its environment. We project meanings onto it and its relationship to nature at large. The choice of subject reveals much about its purpose, too. Editor: This is so cool to think about! I initially got caught up in this sleek, gorgeous surface, thinking about wildness captured in metal. Curator: Right? And thinking about it with that theoretical context enriches the experience significantly. Editor: For sure. Suddenly that sleekness is shimmering with potential stories...

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