Staande lezende man in een enkellange mantel met muts by Maria Vos

Staande lezende man in een enkellange mantel met muts 1867

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drawing, pencil

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portrait

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drawing

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figuration

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pencil

Copyright: Rijks Museum: Open Domain

Curator: Here we have a drawing by Maria Vos, dating back to 1867. It's titled "Standing reading man in a short coat with hat," rendered in pencil. Editor: It’s a spare image, almost ethereal. There's a contemplative mood radiating from the hunched posture of this figure engrossed in his reading. He looks like a shadow barely formed on the page. Curator: Indeed, Vos captures a very specific moment. The subject is a figure of apparent importance absorbed in study, presented to us in this artwork found at the Rijksmuseum. The work also contains text saying, "École Florentine XV Siecle." Editor: The inscription does place this in a lineage. The "École Florentine XV Siecle," pointing back to Florence and the Renaissance, invites questions around historical connections. I can't help but ask, is Vos positioning this modern figure, a man who can read, in relation to those humanistic ideals, ideals which in practice were often not accessible to everyone. Curator: The association of your reflection to that is very apt. You bring to my attention that in that particular time frame access to literature would certainly imply an important role. Consider that even with access the political message could still get one in trouble depending on the political or philosophical views of that figure in that specific era. Editor: Precisely. The power dynamic that could derive from literacy is substantial even today. Curator: Considering the time frame in history the role is powerful even with certain risks taken. He almost becomes symbolic of hidden subversiveness. Editor: In some sense I wonder what kind of subversive texts could bring on these risks at that time in history, while this quiet pencil study contains multitudes. It encourages questions around access, interpretation, and the subtle ways that power manifests itself. Curator: I hadn't quite considered the implicit commentary embedded in such a simple image. Thank you, it really has changed my view.

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