Fable n.d.

Thomas Bewick made this tiny wood engraving, titled "Fable," sometime around the turn of the 19th century. His innovative technique involved using a burin, typically used for metal engraving, on the end-grain of a block of wood. The resulting image is incredibly detailed. Notice the subtle gradations of light and shadow that create depth and texture, from the rough stonework of the archway to the fine hairs of the bull’s coat. This was achieved by meticulously cutting into the woodblock, leaving behind a network of fine lines that would hold the ink. Bewick's method was revolutionary because it allowed for much larger print runs and finer detail than traditional woodcuts. In a way, he was an early disruptor, democratizing access to images through a clever manipulation of materials and technique. In his capable hands, the humble wood engraving became a powerful tool for storytelling and social commentary.