Magnificent bridge with loggias, and arches erected by a Roman Emperor ... by Giovanni Battista Piranesi

Magnificent bridge with loggias, and arches erected by a Roman Emperor ... 1743

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print, engraving, architecture

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print

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landscape

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romanesque

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cityscape

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engraving

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architecture

Dimensions: 243 mm (height) x 361 mm (width) (plademaal), 243 mm (height) x 361 mm (width) (billedmaal)

Curator: This is "Magnificent bridge with loggias, and arches erected by a Roman Emperor..." an engraving by Giovanni Battista Piranesi, created in 1743. Editor: My goodness, that's quite the descriptive title. My first impression is of its imposing scale and incredibly detailed linework. The weight of all that stone seems almost palpable. Curator: It is a prime example of Piranesi's exploration of Roman grandeur. Note how he emphasizes the monumentality of Roman architecture and civic structures—effectively shaping public perception. Editor: I’m drawn to how he meticulously rendered each stone block. It’s not just a romantic landscape, but almost an archeological cataloguing, documenting every detail of the built environment. What sort of papers were used to render this piece? Curator: Ah, it’s more than just documentation. The bridge wasn't merely an architectural marvel, but also an emblem of power, evoking the might of the Roman Empire to a European audience undergoing cultural change, it had become this almost 'phantom bridge.' Editor: The artist seems to be interested in conveying both utility and ornamental values for materials. This work reveals the labor intensive print-making techniques available in that era. It brings forth not only aesthetics, but also technological constraints. Curator: Precisely, its public function was intertwined with its aesthetic role and the sociopolitical motivations. How do you interpret Piranesi's choice of viewpoint, framing the further bridge through the monumental arch? Editor: It does seem intentional. I think he cleverly contrasted human scale against these immense constructions. I appreciate that the material process echoes the solidness and enduring nature of the empire it depicts. It creates a powerful dialog on material legacy, don't you think? Curator: I agree completely. In essence, Piranesi masterfully crafted this work, solidifying an enduring image of Rome and the artistic, political power associated with the eternal city, making him a cornerstone of visual arts' ongoing history. Editor: And through that mastery, he’s allowed us to not only reflect on those power structures, but the artistic means and making that sustained and enabled their representation. Fascinating.

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