Edwin Cowles, The Cleveland Leader, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Edwin Cowles, The Cleveland Leader, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands 1887

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drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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history-painting

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Editor: This is a printed portrait of Edwin Cowles of "The Cleveland Leader," created in 1887 by Allen & Ginter as part of their "American Editors" series. It has an interesting, almost old-fashioned feel... What do you see in this piece beyond the obvious depiction of a 19th-century newspaper editor? Curator: Beyond the surface, this piece operates as a cultural artifact reflecting late 19th-century America. Think about the context: industrialization, urbanization, and a burgeoning print culture. This portrait, circulated with cigarette brands, positions Cowles, and by extension, "The Cleveland Leader," within a commodity culture. Who was this editor, and what ideologies did his paper promote? Examining that unearths power structures of the time. Editor: So, the choice of portraying editors in this way suggests something about their influence and perhaps their role in shaping public opinion? Curator: Precisely! And it begs the question: whose opinions were being shaped? Cigarette cards like these were widely accessible, reaching diverse demographics. What were the social implications of associating certain figures, like Cowles, with desirable consumer goods? Was it meant to associate them, even subtly, with desirable, upper-class aspirations? How might this impact or fail to impact the reception of their work? Editor: That’s a compelling point. I hadn’t considered the way it almost commodifies his image and associates it with a particular lifestyle. Curator: It prompts us to critically assess the relationship between media, consumption, and the construction of identity. And importantly, think about representation: who gets a platform, whose stories are told, and to what end? That applies then, as much as now. Editor: Thank you. I'll definitely be thinking about how to consider the intersection of power, media, and consumption more critically. Curator: My pleasure; hopefully we'll see those ideas develop through future research!

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