Untitled [Ref. #72] 2007

Here is an untitled gelatin silver print made by Myra Greene. Greene's work often delves into how the photographic medium has historically shaped perceptions of identity, particularly race. This close-up shot of a mouth confronts viewers with an intimate, yet distanced, view of blackness. By focusing on a partial view of the body, Greene challenges the history of portraiture, which has often objectified and stereotyped Black individuals. The stark contrast of the print emphasizes the features, prompting reflection on visibility, representation, and the gaze. Greene’s work invites us to consider how personal experiences are intricately linked to broader socio-political contexts. What does it mean to see or be seen, and how does our perception affect identity?