The Holy Family c. 1619 - 1620

Curator: Standing before us is "The Holy Family," an oil painting by Jacob Jordaens, likely created between 1619 and 1620. It is currently held in the collection of the Städel Museum. Editor: Immediately, I’m struck by how earthy this portrayal feels. There's a raw tenderness, even, that veers from the often idealized depictions of the Holy Family we typically see from this era. Curator: That's astute. Jordaens, a key figure in the Flemish Baroque, often depicted religious scenes with a relatable, human touch, diverging somewhat from the more dramatic style of contemporaries like Rubens. Note how he uses light to draw our eye to the central figures. Editor: Absolutely, though the shadow over Joseph feels almost melancholic. Is this intended? His somberness and physical placement removed in the background suggest a marginal role for him in the family narrative. Curator: He certainly isn't idealized here. Jordaens uses this kind of painting to examine complex societal structures, embedding them within a traditional Biblical narrative. Notice how the small bird is situated centrally, this small element acts as a striking focal point. Editor: A bright spark. I read it as a symbol of fragility and freedom—perhaps subtly referencing both the vulnerable state of the Christ child and the liberating potential of the family dynamic. Is it placed this way to give hope about what can be achieved if societal expectations are broken and changed? Curator: Well, it certainly encourages multiple readings. There is definitely a socio-political dialogue here. Jordaens made art to communicate ideas with those he was engaging with. The composition and arrangement invite viewers to engage and project themselves into the image, prompting reflection. Editor: It encourages contemplation, even debate. For me, the painting goes beyond simply portraying a family; it touches upon themes of identity, challenging conventional roles, and questioning ingrained narratives. Thanks for the chat. Curator: A thought provoking work, indeed, inviting each viewer to explore not just religious iconography but the ever-evolving dynamics of family, society, and self. Thank you!