Siam, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Siam, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands 1886

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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impressionism

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caricature

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coloured pencil

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orientalism

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genre-painting

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Editor: Here we have “Siam, from the Natives in Costume series” created in 1886 as a colored-pencil print by Allen & Ginter. It's part of a series used to market cigarettes. I'm immediately struck by the figure's elaborate attire, but there's something almost cartoonish about the representation. How do you interpret this work? Curator: The symbols here reveal much about the cultural moment it was produced in. The figure, presented as ‘Siamese’, becomes a vessel for projecting Western fantasies and power. What signifiers do you notice that contribute to this? Editor: Well, the elaborate robe, the exotic hat, and the stemmed glass…They all feel like stereotypes rather than a realistic portrayal. Also, I hadn't noticed that small figure in the background! Is that intended to reinforce a certain view of Siam at that time? Curator: Precisely. It reduces an entire culture to a few, easily digestible tropes. The glass he’s holding also echoes ancient symbols of offering and sacrifice. Remember, images like these were not simply decorative. They were potent tools used to shape perceptions of entire regions, painting them as exotic, subservient, and ripe for Western influence and commercial exploitation. Allen & Ginter cigarettes intended this. Consider, why 'costume' instead of 'clothing'? What does the term 'natives' evoke for its intended audience? Editor: So it's less about genuine cultural exchange and more about solidifying a specific power dynamic. I hadn’t considered it that way before. Curator: Indeed. Even the caricature style you observed normalizes this sense of distance. What new meaning have you gained from it? Editor: I now realize just how loaded these seemingly innocent images from the past really are, filled with propaganda. They actively contributed to creating skewed global power structures, a new depth that changed how I see things! Curator: Exactly. Cultural memory and continuity is encoded in visual symbols and reveals a complex interplay of identity and power.

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