Milanese (met waaier) 1598

This engraving, “Milanese (met waaier)” by Christoph Krieger, presents a study in contrasts, bound within an ornate border. The figure, rendered in stark black lines against the white of the page, immediately draws our attention. Notice how the artist uses line variation to suggest texture and depth, particularly in the subject's elaborate gown. The composition divides the image into distinct zones: the detailed costume contrasts with the relative plainness of the face, creating a visual hierarchy. The floral motifs on the gown introduce a layer of complexity, almost obscuring the body's form, while the fan adds a tactile element. Here, Krieger engages with semiotic codes of dress and identity. The subject's attire speaks to status and cultural affiliation, yet the graphic nature of the print flattens the image. This destabilizes the illusion of three-dimensionality. Ultimately, the work becomes an exploration of representation itself. The interplay between line, form, and ornamentation offers a rich field for interpretation, questioning how we perceive identity through visual signs.