Franse edelvrouw met hond op de arm, gekleed volgens de mode van ca. 1630 by Abraham Bosse

Franse edelvrouw met hond op de arm, gekleed volgens de mode van ca. 1630 1629

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print, engraving

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portrait

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baroque

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print

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dog

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figuration

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genre-painting

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dress

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engraving

Dimensions: height 144 mm, width 94 mm

Copyright: Rijks Museum: Open Domain

This engraving by Abraham Bosse depicts a French noblewoman with a dog, showcasing the fashion of the 1630s. The little dog she holds isn’t just a pet; it’s a symbol, laden with meaning. Throughout history, small dogs like this one have appeared in portraits, often signifying fidelity and loyalty. We see echoes of this in ancient Roman art, where dogs were associated with domestic virtue, and later in Renaissance paintings, where they symbolized marital faithfulness. Think of Van Eyck's Arnolfini Portrait, where the dog embodies the couple’s commitment. But here, the dog also whispers of status and luxury. It is a pampered companion, a lapdog, far removed from its working ancestors. This transformation speaks to a broader cultural shift, where animals become emblems of wealth and leisure. The image resonates, tapping into our collective memories and desires linked to companionship and social standing.

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