Dimensions: support: 667 x 984 mm frame: 1040 x 1355 x 126 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have "The Winter Sun" by John William North, currently held in the Tate Collections. The support measures 667 by 984 millimeters. Editor: It feels like a memory, fading at the edges. That subdued palette is doing something melancholic to me. Curator: North was associated with the idyllic strain in English landscape painting. He exhibited at the Royal Academy, but later became disenchanted with the London art world. Editor: You know, it's that bent tree in the foreground that gets me. It's like a gesture of surrender, bowed down but still reaching. Curator: His works often depict rural scenes, reflecting a longing for a simpler, more natural existence, a sentiment that resonated with the Arts and Crafts movement. Editor: I appreciate how North managed to evoke this atmosphere of tranquility. It makes you want to curl up with a good book. Curator: Indeed. The artwork offers a glimpse into the artist's own reflections on the changing face of the English countryside. Editor: What a lovely invitation to reflect on our own connections to the natural world.
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North was known for his pictures of tangled vegetation painted in subdued shades of brown and orange. Here, a figure is hidden in the dense undergrowth on the right, fanning a fire with a blanket. Smoke rises from the ground behind the figure. North was connected to a group of artists known as the Idyllists. Their paintings depicted idealised rural landscapes. They felt the countryside could provide peace, comfort and a spiritual connection, at a time when rural England was being rapidly industrialised. North opposed the enclosure of common lands and campaigned for rural sanitation and social housing. Gallery label, November 2019