Christus geneest bezetenen by Jan Brandes

Christus geneest bezetenen Possibly 1788 - 1808

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drawing, paper, ink, pen

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portrait

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drawing

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light pencil work

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narrative-art

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mechanical pen drawing

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pen sketch

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pencil sketch

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figuration

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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genre-painting

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history-painting

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academic-art

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sketchbook art

Dimensions: height 208 mm, width 338 mm

Copyright: Rijks Museum: Open Domain

Editor: This drawing, possibly created between 1788 and 1808 by Jan Brandes, is titled "Christus geneest bezetenen," or "Christ Heals the Possessed." It's rendered in pen and ink on paper. The scene is… busy, almost chaotic, but rendered with incredible delicacy. What draws you in when you look at this? Curator: Chaos, yes! I think Brandes captured not just a scene, but a moment, the very instant where turmoil meets divine intervention. I find the composition striking; a crowd of figures, a landscape that feels both familiar and dreamlike, and then these tormented souls in the foreground. Almost like characters on a stage, don't you think? Have you considered how the linear quality of the ink work contributes to the heightened sense of drama? Editor: It does! There's a starkness to the scene. It's a biblical story, so I'd expect a certain reverence, but the sharp lines make it feel very immediate, and the figures are so expressive. But the frenetic energy… does it undermine the central figure of Christ, who appears relatively calm amidst all this? Curator: Perhaps not undermine, but definitely complicate! Brandes, through that energy, could be asking us to question simple narratives of power and faith. To find our own sense of the divine amongst our daily turmoil. And note how much blank space he leaves; so suggestive, yet somehow complete. Brandes had a profound faith and a whimsical way of inviting reflection, almost beckoning me to reconsider long-held assumptions about the seen and the unseen. What is *that*? Is that humour peeking through, or is that my projection? Editor: I didn't think about the balance of power that way, but I do think the raw emotion in those figures feels very real and relatable. Thanks for helping me unpack it! Curator: And thank *you* for noticing. That human thread running through grand religious themes-- it makes you wonder about the stories we continue to tell ourselves. Food for the soul.

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