Vuurwerk bij de viering van de Vrede van Utrecht, 1713 by Anonymous

Vuurwerk bij de viering van de Vrede van Utrecht, 1713 1713 - 1735

0:00
0:00

mixed-media, print, etching, engraving

# 

mixed-media

# 

water colours

# 

baroque

# 

print

# 

etching

# 

coloured pencil

# 

cityscape

# 

history-painting

# 

engraving

# 

mixed media

# 

watercolor

Dimensions: height 158 mm, width 261 mm

Copyright: Rijks Museum: Open Domain

Curator: This etching and engraving, with watercolor additions, depicts "Fireworks at the celebration of the Peace of Utrecht, 1713." The image has a unique textural feel due to the combination of printing and hand-applied colour, which speaks to a certain production value associated with memorializing the occasion. Editor: It’s really striking, almost theatrical. I'm fascinated by the way they combined different media in a single artwork. How does that materiality impact its meaning? Curator: The etching provides the reproducible framework, the easily disseminated image, and the watercolor lends each impression a degree of uniqueness. The deliberate layering suggests that the artwork itself becomes a commodity and its aesthetic properties reinforce a particular political or social agenda of displaying Dutch affluence, doesn't it? It’s less about individual artistic expression and more about celebrating a historical moment through meticulous labor and material richness. Editor: That's a compelling point. So the very materials used in its production emphasize power dynamics, where artisanal skill visualizes political achievement. Are those materials expensive to access, or did this mode of production signify luxury to some audiences while remaining popular or folk art to others? Curator: Absolutely. Think about the pigments; where do they come from? How easily could an artisan produce such elaborate, time-intensive artwork for circulation? Were there popular print shops? The means of production shapes how audiences understand both the event celebrated, and what class might be excluded from production *and* consumption. The blending of meticulous print work and vivid colour speaks to the intersection of skilled craftsmanship, capital investment, and civic pride. Editor: It gives me a whole new appreciation for how the production of art reflects, and perpetuates, societal structures. Thank you! Curator: Precisely. Analyzing the materials and production process illuminates so much more than just the image itself; it unveils the complex socio-economic networks that sustained its creation and defined its audience.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.