tempera, painting, fresco, mural, architecture
public art
tempera
painting
sculpture
holy-places
historic architecture
fresco
traditional architecture
christianity
history-painting
italian-renaissance
mural
architecture
historical building
statue
building
christ
Copyright: Public domain
Benozzo Gozzoli painted this view of the main apsidal chapel, a fresco, sometime in the mid-fifteenth century. At this time, religious institutions were at the heart of Italian cultural life, and they wielded enormous social and political power. Gozzoli’s fresco would have been commissioned by a wealthy patron connected to the church. It’s full of biblical scenes and figures, all rendered in the style of the early Renaissance. In the details, one finds a cultural context rooted in religious devotion and civic pride. The images are not just illustrations of biblical stories, they’re assertions of faith and demonstrations of wealth and status. Historians look to such details – the clothing, the architecture, the landscapes – to better understand the values and beliefs of the people who commissioned and viewed these works. They help us interpret not only the spiritual aspects of the art, but also its material and social significance.
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