Portrait of Henrietta and Mary Hyde c. 1683 - 1685

Curator: This is Willem Wissing’s Portrait of Henrietta and Mary Hyde, a double portrait that resides here at the Tate. Editor: I'm immediately struck by the contrasting textures, especially the way light plays across the shimmering satin. Curator: Wissing, a follower of Lely, clearly positions these young women within the context of aristocratic identity and display, reflecting the social currency of beauty and lineage in late 17th-century England. What statements do their garments make? Editor: Absolutely, the drapery is doing some work here. Note how the cool blues and silvers on Henrietta contrast with Mary's warmer, gold tones, creating a visual harmony. Curator: And the presence of the dove—perhaps a symbol of innocence or familial affection, strategically deployed to reinforce specific readings of femininity and virtue. What about the location? Editor: The architecture and the slightly turbulent sky are more than just a backdrop; they amplify the subjects. Curator: Considering the complexities of gender representation and societal expectations of women during this period gives us a richer, more nuanced understanding of the work. Editor: By focusing on Wissing's mastery of light and form, we find that the work transcends mere representation. It's truly luminous.