ceramic, sculpture
ceramic
sculpture
ceramic
decorative-art
Dimensions: Height: 5 7/8 in. (14.9 cm)
Copyright: Public Domain
Curator: This vase, currently residing at the Metropolitan Museum of Art, dates to sometime between 1800 and 1815. It's a stunning example of decorative ceramic work from that period. Editor: My immediate thought is it's a somewhat oppressive opulence, that reflective surface feels heavy, almost decadent, for such a small form. Curator: I see your point. The lustre glaze creates a sense of value beyond just functionality, echoing, perhaps, a culture of conspicuous consumption on the rise at that time. Floral motifs, like that stylized daisy, also symbolize beauty and fleeting moments—memento mori in disguise. Editor: Exactly. And think of the labor: carefully shaped, fired at high temperature, glazed just so… It speaks to a complex production chain supporting elite lifestyles, while artists would’ve spent countless hours perfecting surface details. I wonder about their social standing relative to this vase, or the people for whom they worked to create objects like this. Curator: And isn’t it fascinating how such floral patterns, which we might deem 'feminine' now, have long served symbolic roles far beyond gender—denoting wealth, taste, cultivation in the broader social sense? The act of containing flowers, a natural ephemeral gift, gives them a special elevated role. The symbolic meaning is multi-layered. Editor: Very true. It’s also worth considering how materials informed aesthetic choices. Did available clay types, or firing techniques, push towards particular styles? What role did color and glaze technology play? We see a similar opulence reflected in glass work from the same era, and no doubt new material practices influenced one another. Curator: In many ways, an object such as this encapsulates social and economic transformations—luxury now a performance as much as inherent value, enshrined in symbolism that resonated across the era. Editor: Ultimately it shows the complex interactions between artist, material, consumer and object--the object holds that story through its very creation. Curator: Exactly. So, a seemingly simple decorative art, holds much cultural and historical resonance. Editor: Indeed, far more than initially meets the eye.
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