Moose Pond 1918

Frank Johnston’s Moose Pond, from the early 20th century, looks like it was made with oil paint in thick, juicy strokes. It’s so interesting how he builds up the image with these distinct, almost square dabs of color; the process is right there on the surface. I like how he's not trying to hide it! Look at the foreground, how those strokes of brown, green, and yellow come together to suggest this rich, textured meadow. Then notice the reflections of the trees in the still, dark water, and how the paint seems to vibrate with light and color. This piece reminds me a bit of Emily Carr's landscapes. Both artists seem to be interested in capturing the raw, untamed beauty of the Canadian wilderness and have a similar approach to mark making. For me, this piece really captures the spirit of a place. It's about experiencing and translating an environment. It’s a great painting.