Dish with a bouquet and flower sprays by Kaiserliche Porzellanmanufaktur

Dish with a bouquet and flower sprays c. 1800 - 1849

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Dimensions: height 5.6 cm, diameter 22.1 cm, diameter 12.1 cm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a lovely earthenware dish from the Kaiserliche Porzellanmanufaktur, dating from somewhere between 1800 and 1849. The painted floral arrangement in the center is really quite charming. What can you tell us about this style of ceramic? Curator: Well, given its creation during the first half of the 19th century, it reflects a continuation of the Rococo style, particularly in its floral decorations. However, its creation also points to larger questions about the market for luxury goods at the time. Were pieces like this aimed at a newly wealthy merchant class, or primarily at the traditional aristocracy? Editor: That's interesting. It definitely feels…delicate, not necessarily something for everyday use. How did the market influence the artistry on pieces like these? Curator: The demand for porcelain drove innovation in production. While the artistry of hand-painted decoration was prized, factories had to adapt to supply goods more quickly. The rise of the middle class and their increased purchasing power affected not only what was made, but *how* it was made, standardizing imagery. Do you see a relationship between the style of the artwork on the plate and the intended user? Editor: It feels very proper and curated. Maybe it’s about demonstrating an understanding of good taste and social refinement more than genuine appreciation? Curator: Exactly. Consumption becomes a signifier. Floral motifs were already heavily laden with symbolic meaning. So, a dish like this served not just a functional purpose, but also communicated status and adherence to a specific social aesthetic. Editor: It's amazing to think of a simple dish carrying all those layers of meaning! It definitely encourages you to think about the context of who made and used these pieces. Curator: Precisely. Appreciating art is about recognizing its place in a complex web of social and economic factors.

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