Beeld in de Gyaan Vapi, de Bron van Kennis, in de Kashi Vishwanath-tempel in Varanasi by Samuel Bourne

Beeld in de Gyaan Vapi, de Bron van Kennis, in de Kashi Vishwanath-tempel in Varanasi 1864 - 1866

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tempera, photography, sculpture, albumen-print

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tempera

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sculpture

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asian-art

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landscape

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photography

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ancient-mediterranean

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sculpture

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19th century

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albumen-print

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realism

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statue

Dimensions: height 297 mm, width 235 mm, height 325 mm, width 249 mm

Copyright: Rijks Museum: Open Domain

Curator: This albumen print, taken by Samuel Bourne between 1864 and 1866, depicts a sculpture within the Gyaan Vapi, which translates to 'Well of Knowledge', in the Kashi Vishwanath Temple in Varanasi, India. Editor: Wow, there is something so arresting in how clearly he captured such a quiet, serene moment. I love the textural richness, all the ornate carvings leaping out—it is truly striking. It almost feels like stepping into a dream of ancient India. Curator: Bourne's work during this period provides invaluable insight into the religious and architectural landscape of 19th-century India. He meticulously documented various temples and sacred sites, contributing to the visual record of the era. Editor: You know, the stillness of the sculpture against the backdrop of such intricately carved pillars makes me wonder about time itself. What has that statue seen, those stones absorbed, over the centuries? You can almost feel the prayers echoing. Curator: Precisely! Bourne's photography played a role in shaping Western perceptions of India. While offering documentary value, it also carried the colonial gaze, framing these sacred spaces for a foreign audience. We should consider that perspective even as we admire its artistry. Editor: Right, the camera doesn't lie, but it certainly tells a chosen truth. Looking closer, it is all so ornate and majestic, while also intimate and almost hidden. A real feat for a single image, a testament to this 'Well of Knowledge.' Curator: Bourne navigated immense logistical challenges, transporting his equipment across the Indian subcontinent. His dedication to capturing these images is impressive, albeit viewed through a complex historical lens. Editor: Absolutely. Knowing that adds another layer of weight. Now when I see the bell hanging up above I keep on imagining who might have rung that bell in all the centuries that came before us. This simple albumen print has a depth of wisdom. Curator: I agree. Bourne's image allows us to reflect on the passage of time, cultural exchange, and the enduring power of artistic and religious expression. It invites introspection. Editor: To ponder and marvel—isn't that what great art does? Thanks, Samuel Bourne, for freezing a moment in time, allowing us to step back, observe, and be humbly reminded of how vast our world truly is.

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