Saint Jerome reading with the Lion 1500

Andrea Mantegna rendered Saint Jerome reading with the Lion in the 15th century using ink on paper. The fine strokes of ink create a rich texture, defining the contours of Saint Jerome's contemplative face, the folds of his robes, and the soft mane of the lion. Mantegna's choice of ink as a medium is key to the work’s impact. In Renaissance workshops, drawing was fundamental; it was a testing ground for ideas and a demonstration of skill. The precision required to master ink reflects the premium placed on technical skill and artistic ingenuity at the time. The deliberate lines and cross-hatching not only model the forms but also convey a sense of depth and volume, typical of Renaissance art. The stark contrast between light and shadow enhances the emotional and spiritual intensity of the image, inviting viewers to contemplate the themes of intellect, devotion, and companionship. The materiality of the drawing and the artistic process behind it are essential components of the artwork’s meaning and appeal.