Riviermonding N. N. Guinea c. 1925

This landscape, titled *Riviermonding N. N. Guinea,* was made by Johannes Frederik Engelbert ten Klooster, using what appears to be a wood-cut. The stark contrast in the print emphasizes the material's unique texture, weight, color, and form. The labor-intensive process of woodcutting, where the artist carves away from a block of wood to leave a raised design, directly influences the image's graphic quality. Klooster’s skilled technique and the nature of the woodcut medium have imbued the artwork with a robust social and cultural significance, echoing histories of creative practices. Woodcut techniques are rooted in the tradition of printmaking, which enables wider distribution and challenges the uniqueness associated with fine arts, questioning distinctions between high art and craft.