Portrait of Claudine van Royen (born 1712), Wife of Pieter Teding van Berkhout 1757

Hieronymus van der Mij painted this portrait of Claudine van Royen on canvas. The muted color palette and the composition’s arrangement create a serene yet formal viewing experience. The subject is positioned asymmetrically, balanced by the urn on the right, suggesting a structured artifice. The soft pink of her dress contrasts with the fluid, dark blue fabric she gathers, drawing a visual tension between texture and form. Van der Mij masterfully uses color to define shape, yet the restrained tones evoke a sense of emotional distance. Note how Claudine’s gaze meets ours directly. Her slightly raised hand and the delicate fabric suggest a moment of caught, self-aware performance. This contributes to a broader discourse around portraiture and identity in the 18th century. The staging of such portraits, including elements like classical urns, served as semiotic markers of status and taste. Consider how the artist's technical choices, from brushstroke to composition, function within a visual language of status. Van der Mij’s work, therefore, participates in and perpetuates social structures through careful visual encoding.