Levi Avenging the Honor of his Sister Dinah by Crispijn van den Broeck

Levi Avenging the Honor of his Sister Dinah 1524 - 1591

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drawing, print, dry-media, pencil

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drawing

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narrative-art

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print

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pencil sketch

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figuration

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11_renaissance

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dry-media

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pencil drawing

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coloured pencil

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pencil

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italian-renaissance

Dimensions: 8 3/8 x 5 11/16 in. (21.3 x 14.5 cm)

Copyright: Public Domain

Editor: This is "Levi Avenging the Honor of his Sister Dinah," a pencil drawing by Crispijn van den Broeck from the late 16th century. It's a dramatic scene, quite detailed given it's a drawing. There's a looming figure in the foreground and a chaotic scene playing out in the distance. I'm struck by the contrast in scale. What grabs your attention when you look at this piece? Curator: Well, I'm immediately drawn to the back view, and the deliberate turn of the figure. We're not invited to share Levi's face, or his emotional state, just his determination to inflict, and I might even venture, to instruct, judging by the directive point of his outstretched hand. Almost as if he’s commanding the chaos itself! Makes you wonder about the artist's perspective on revenge. It's far removed from catharsis, would you agree? Editor: Yes, it’s very…calculating, in a way. Not impulsive. And that calm stance amidst all the action seems so unsettling. What can you tell me about the story itself, the history behind the art? Curator: Ah, Dinah's story. It’s a harrowing tale from the Book of Genesis. Dinah is assaulted, and her brothers, Simeon and Levi, exact a brutal revenge. The drawing captures a moment pregnant with violence. Van den Broeck makes it operatic! Notice the deliberate anatomical flourishes that are characteristic of Mannerism, don't you think? A highly refined aesthetic handling an event of questionable virtue... how curious! What does this choice mean to you? Editor: It's a little disturbing, that tension between beauty and violence. The artistic skill almost elevates the act of revenge. So, in the end, does the beauty of this piece undermine the brutality of the narrative? Curator: Perhaps. Or maybe it forces us to confront the uncomfortable truth that beauty and violence can coexist, even feed off each other. Van den Broeck makes it a problem for the viewer. Quite clever, don't you think? Editor: Absolutely. It gives a new perspective, not just on the artwork, but the story itself. It really encourages a deeper investigation of one's self. Thank you for all of your insight!

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