Grotto of the Nymph Egeria, commonly called La Cararella. 1. Tempio delle Camene, now Church of S. Urbano 1741 - 1748

Giovanni Battista Piranesi created this etching of the Grotto of the Nymph Egeria in Rome during the 18th century. Piranesi was known for his detailed and dramatic depictions of Roman architecture, often blending accuracy with imaginative interpretation. In this print, he captures the romantic allure of ancient ruins, which had become popular at that time. The grotto, once believed to be a sacred place dedicated to the nymph Egeria, is shown in a state of picturesque decay, overgrown with vegetation. Piranesi's work reflects the growing interest in classical antiquity, fueled by archaeological discoveries and the Grand Tour undertaken by wealthy Europeans. His prints catered to this audience, serving as both souvenirs and sources of inspiration for architects and artists. To understand Piranesi’s Rome, it is helpful to consult historical records and contemporary accounts, viewing his work within the cultural landscape of 18th-century Europe. This helps us appreciate how the past was reimagined and consumed in his time.