Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Keith Arnatt's photograph, titled "Gardeners," presents a lone figure amidst a dense field of flowers. Editor: The stark monochrome and the sheer volume of blooms create a rather unsettling tension. Curator: The choice of black and white drains the expected vibrancy from the scene, arguably highlighting the social isolation of labor. These gardeners, likely working-class, are subsumed by the natural world. Editor: But the composition—the figure centered, almost pinned by the field—speaks to a formal balance. The density of the flowers is visually counterweighted by the solid form of the person. Curator: Perhaps, but I read it as a commentary on visibility and invisibility, on who is seen and who is not within systems of power. Editor: An interesting read. Still, I find the photograph offers a compelling study of texture and form, and those are the key takeaways for me.

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tate 5 days ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13092

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tate's Profile Picture
tate 5 days ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.