Scène met Nel en haar grootvader uit het boek The Old Curiosity Shop door Charles Dickens, gepubliceerd in 1841 by John Reynolds

Scène met Nel en haar grootvader uit het boek The Old Curiosity Shop door Charles Dickens, gepubliceerd in 1841 1857 - 1859

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Dimensions: height 84 mm, width 174 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have John Reynolds' photographic print "Scene with Nel and her grandfather from The Old Curiosity Shop" dating from 1857-1859, done as a collotype, hand-colored with watercolor. I notice how cluttered and theatrical the setting seems, almost staged for a moral lesson. How do you interpret this tableau, especially given the rise of photography at that time? Curator: It’s important to remember the social context here. Dickens’ novels, like "The Old Curiosity Shop," gripped Victorian England with tales of social inequalities. Photography at this time was being debated, about its ability to reproduce truthful representations, or aesthetic interpretations of those realities. Editor: So, you're saying Reynolds' image taps into both literary popularity and this debate about the realism of photography? Curator: Precisely. This image is part of pictorialism movement of that time. This image is attempting to achieve status, and influence social issues through posed arrangements, narrative elements and watercoloring, blurring the line between photography and painting to imbue the image with the gravitas of ‘high art’. Editor: It's interesting how he used new media and fiction to tackle societal issues, using new representational power while alluding to more classical ways of art-making. Curator: And think about the function of museums and galleries at that time, vying to solidify cultural norms. Reproducing sentimental scenes like this visually reinforced contemporary ideas of childhood innocence, family responsibility and social welfare, making them widespread through accessible and easily circulated media. The viewer has a moral role to play within this photograph. Editor: This makes me appreciate how deliberate the choices were—staging, composition, and all. Thank you. Curator: And it helps us recognize how much these ‘artistic’ photographs were also social tools, subtly shaping public perception.

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