print, engraving
allegory
baroque
old engraving style
figuration
pen-ink sketch
line
pen work
engraving
Dimensions: height 230 mm, width 125 mm
Copyright: Rijks Museum: Open Domain
Curator: Let's spend a few moments with Conrad Meyer’s engraving, “Jongeman wordt verleid door twee afbeeldingen,” which translates to "Young man being tempted by two images." Meyer created this piece around 1675. It resides in the collection of the Rijksmuseum. Editor: Immediately, I see a classic tug-of-war. There’s a young guy in the middle, looking uncertain. Is he frowning, or just in deep thought? And he’s framed by…well, everything in this picture seems symbolic, doesn't it? Curator: Indeed. The print utilizes allegory to represent the choices faced by youth. The young man stands between two competing "images"— one representing worldly pleasures and the other, piety or a life of virtue and learning. It's a popular Baroque theme: temptation. Look how Meyer visually articulates opposing value systems. Editor: So the folks on the left – the lady with what seems to be some coins and those plump cherubs holding the picture...they signify indulgence? Curator: Precisely. The picture they display likely alludes to earthly delights, a momentary kind of excitement. On the right, we see contrasting symbolism in the figure of, oddly enough, the donkey, a signifier of folly. Notice the more austere figures and a presentation of…chastity, perhaps? They beckon the young man towards them. The composition suggests the stark alternatives vying for his soul. Editor: What gets me is the dynamism – Meyer uses all these lines, especially in the clothing and the sort of theatrical drape at the margins of the artwork, to give it movement. Like a moral play unfolding right before us. It feels so charged! Curator: Engravings such as this often functioned didactically, as tools for moral instruction. The artist encodes familiar symbology from mythology, religion and daily life in a memorable arrangement so its meanings may stay with a viewer across their lifetime. Editor: I find myself strangely moved by it all. Perhaps because that tension, that back and forth, is something we grapple with at any age! Curator: Meyer’s detailed, allegorical scene speaks to timeless human struggles that continue to resonate through his evocative symbolism and artful line work.
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