Rough Sketch of the Lighthouse of Chōshi Harbor in Shimōsa (Sōshū Chōshikō tōdai ryakuzu) by Yōsai Kuniteru II 曜斎国輝

c. late 19th century

Rough Sketch of the Lighthouse of Chōshi Harbor in Shimōsa (Sōshū Chōshikō tōdai ryakuzu)

Curatorial notes

Editor: This is Yosai Kuniteru II's "Rough Sketch of the Lighthouse of Choshi Harbor in Shimosa," a triptych print. It's so detailed. What catches your eye about the production of this work? Curator: I'm intrigued by the social context of printmaking. Who was consuming these images, and how did the printmaking process itself—the labor, the woodblocks, the distribution networks—shape the final product? Editor: So, it’s not just about the lighthouse, but about how the image got to us? Curator: Exactly. Think about the woodblock carvers, the printers, the publishers, and the consumers. How did their roles affect the art we see today? Editor: That’s a good reminder to look beyond the surface. Thanks!