Stormachtig landschap met Pyramus en Thisbe 1675 - 1747

Editor: Here we have "Stormy Landscape with Pyramus and Thisbe," an etching and engraving made sometime between 1675 and 1747, after Nicolas Poussin and by Joseph Goupy. It depicts this dramatic, almost operatic scene…what's your interpretation of its historical relevance? Curator: This print provides insight into the artistic networks and the popularization of classical themes. Notice it is labeled as "from a picture" by Nicolas Poussin, highlighting the role of prints in disseminating painted compositions to a wider audience. Consider the 18th-century art market and print culture; the print serves almost as a form of documentation and distribution, increasing accessibility of visual culture, in particular art with morally instructive narratives, among the emerging middle classes. What do you notice about the framing of the tragic tale in the broader landscape? Editor: I see. It seems like the grand, almost overwhelming landscape diminishes the human drama unfolding. Curator: Exactly! Doesn't the historical context— the evolving role of art as a social and moral communicator—heighten your appreciation? Consider this work was circulating during the Enlightenment; does that influence how we read this interplay between narrative and the environment? Editor: Yes, placing it in that context, I see how it reflects a larger interest in using classical stories to teach moral lessons and cultivate virtue amongst viewers. I guess it served a very public function. Thanks for illuminating the historical backdrop of this etching; it gave me much to think about. Curator: My pleasure!