Gezicht op de Kostel svatého Mikuláše of de Sint-Nicolaaskerk en de Praagse burcht, Hradčany, Praag 1868

Editor: This is "View of the Kostel svatého Mikuláše or the Sint-Nicolaaskerk and Prague Castle, Hradčany, Prague," a photograph taken in 1868 by Charles Gaudin. It's striking how the architecture dominates the scene; everything seems structured around the strong verticals and horizontals. What jumps out to you? Curator: Indeed, observe how Gaudin uses the photographic medium to capture the architectural geometry and spatial relationships. The stereoscopic presentation enhances depth, accentuating the compositional layers of rooftops leading to the church and castle. Consider how light and shadow play across the surfaces, revealing texture and form. Does the photograph conform to any established compositional schema? Editor: It feels a little unconventional in how high the viewpoint is, almost detached from the street level, really emphasizing the verticality and size of the buildings. What effect do you think this compositional choice creates? Curator: The elevated perspective transforms the cityscape into an arrangement of forms. This choice flattens the image and reinforces its character as a collection of architectural planes and volumes rather than an inhabited urban space. Notice, also, the monochromatic palette. Does it enhance the structure or subtract emotional weight from the reading of this urban landscape? Editor: I see what you mean, it definitely draws more attention to the buildings' structure rather than the human element or the potential narrative. It highlights the texture of each surface without drawing focus to what is 'occurring'. This close look at Gaudin's methods has taught me a lot. Thanks. Curator: Indeed, and considering the purely formal qualities allows a different understanding of intention, execution and historical objecthood. Thank you.