Seeing Blood on their Brother's Face, the Infantes Slay the Villager 1612

Curator: Antonio Tempesta's print, "Seeing Blood on their Brother's Face, the Infantes Slay the Villager," presents a chaotic scene with stark contrasts. Editor: It feels violent and frenzied. The composition is so dynamic, it almost spills out of the frame. What can you tell me about the materiality of the printmaking process? Curator: Tempesta's use of etching allowed for incredibly fine lines and intricate details. Notice the way he uses hatching and cross-hatching to create areas of light and shadow. Observe the textural effects on clothing and even on the clouds. Editor: The density of the line work certainly amplifies the intensity of the subject matter, enhancing the sense of overwhelming rage and retribution. It's a clever use of the medium. Curator: Indeed, the formal elements work in concert to convey the drama of the narrative. Editor: I see now how the medium and the message are undeniably linked.