Brief aan Henriette Wilhelmina van Baak by J. Sanders Bornier

Brief aan Henriette Wilhelmina van Baak Possibly 1906

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Copyright: Rijks Museum: Open Domain

Curator: Here we have “Brief aan Henriette Wilhelmina van Baak,” which translates to “Letter to Henriette Wilhelmina van Baak.” It’s believed to have been made around 1906 by J. Sanders Bornier. The medium is ink on paper, a pen sketch. Editor: My immediate reaction is to the intimacy of the piece. It looks like a page torn from a personal sketchbook. The writing feels hurried and intensely private. Curator: Yes, its creation surely served the function of communication but let’s consider the historical and social position of women and writing at the turn of the century. Correspondence provided crucial outlets of personal expression and connection, especially for women in a patriarchal society. What social or gender expectations might influence what the artist included, omitted, or emphasized in this letter to their acquaintance? Editor: That’s interesting to think about in relation to who had access to and influence on cultural institutions at the time. Art from this era often depicts the domestic sphere, yet private correspondence rarely finds its way into museum collections. This letter provides a more candid, personal glimpse into that world than perhaps a staged portrait might offer. How do you see this work contributing to the larger visual culture? Curator: The act of preserving something so transient raises interesting questions about authorship and audience, no? This letter might reveal intimate feelings or be tied up with major historic events; it might show how art can emerge from what seem like everyday acts, especially when issues such as gender, class, and even politics get filtered into them. Editor: I'm struck by how art historical practices contribute to establishing artistic recognition. The date, signature, materials – they elevate a personal artifact to an artwork worthy of our attention. Ultimately, for me, this sketch raises intriguing questions about our engagement with both history and the visual arts. Curator: Indeed. This single page connects private thoughts to public history, transforming something potentially ephemeral into a lasting work of art and history.

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