En pave krones af en engel, ved hans fødder sidder Fama med foden støttet på en globe og blæser sin basun 1582 - 1622

Vespasiano Strada created this drawing with pen and brown ink, likely in the early 17th century. The composition is dominated by allegorical figures arranged in a dynamic, almost theatrical space. Note the contrast between the crisp lines defining the figures and the softer, more atmospheric rendering of the background. Strada uses line and form to convey a sense of hierarchy and movement. The angel crowning the Pope is positioned above Fama, who sits with one foot on a globe, blowing a basoon. This arrangement places spiritual authority above worldly acclaim, yet integrates them within a unified visual field. The drawing employs classical motifs but it reconfigures them in a way that reflects Mannerist sensibilities. The scene doesn't simply represent power but rather stages it, inviting the viewer to consider the relationship between religious authority and public perception. Look at how the architectural elements in the background are not merely setting a scene but are active components in this play of symbols. Consider, too, how Strada's use of line destabilizes established meanings. The lines and forms prompt questions about the nature of power and representation that continue to resonate today.