Portret van Gottfried, abt van Göttweig by Johann Martin Bernigeroth

Portret van Gottfried, abt van Göttweig 1739

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print, engraving

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portrait

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baroque

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print

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old engraving style

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line

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engraving

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realism

Dimensions: height 152 mm, width 96 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Johann Martin Bernigeroth's "Portret van Gottfried, abt van Göttweig," from 1739. It's a print, an engraving. It feels very official, like a record of someone important. I'm curious about the way he's framed, almost presented like a monument. What can you tell me about how this artwork functions in its historical context? Curator: Well, consider the subject: an abbot, a figure of significant religious and political power. Engraved portraits like these were crucial for disseminating images of authority in the 18th century. This wasn’t just art; it was a form of visual propaganda. How do you think the print medium itself influenced its reception? Editor: I suppose because it's a print, it can be reproduced and circulated widely. So, it makes sense that a figure who needs to be seen and respected would utilize this technique to proliferate his image. Curator: Exactly! Think about the institutions that commissioned and distributed these portraits: monasteries, political bodies, even wealthy families. This image served to reinforce their authority. How does the portrait style reinforce or subvert these ideas of authority and power? Editor: I see... the precise lines of the engraving and the formal pose add to this feeling of authority. There's not much room for individual interpretation or expressiveness; he’s presented as a figure of unwavering power and responsibility. Curator: And note how he is presented, almost three-dimensionally. It is no accident, especially with the latin dedication, this was a work for the educated classes. Do you think such an artwork like this could ever subvert an authoritative image? Editor: Maybe, if the public context shifted dramatically. A symbol of the old order would need a major change of power or even a revolution to drastically change the portrait’s function. It's all very thought-provoking. I appreciate learning about the interplay between art, power, and society in this specific portrait. Curator: And I enjoyed the dialogue and discovering how the context of the museum or collection could similarly imbue meaning for this image today.

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