Landschap met boom en wandelaars 1613 - 1695

This landscape with a tree and walkers was made by Nicolas Perelle in the 17th century using etching. This printmaking technique involves coating a metal plate with wax, scratching an image into it, and then using acid to bite the exposed lines, which creates grooves to hold ink. Notice how the material qualities of the metal plate influence the image. The sharp, precise lines create a wealth of detail. With cross-hatching and subtle tonal variations, Perelle was able to describe the texture of bark, and the play of light on leaves. The production of prints like this one relied on a well-established workshop system. From the making of the inks and paper, to the skilled labor of the etcher, it reflects the rise of commercialized art. The inscription tells us that the print was available from a merchant. Considering the materials, making, and context of this artwork, we can understand more about artistic practices, commercialism, and labor in the 17th century.