The Christian year. Thoughts in verse for the sundays and holydays throughout the year by John Keble

The Christian year. Thoughts in verse for the sundays and holydays throughout the year 1870

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print, paper, engraving

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portrait

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narrative-art

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print

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book

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paper

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coloured pencil

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genre-painting

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engraving

Dimensions: height 143 mm, width 87 mm, thickness 33 mm

Copyright: Rijks Museum: Open Domain

Curator: This intriguing open book presents "The Christian Year: Thoughts in Verse for the Sundays and Holydays Throughout the Year" from 1870, authored by John Keble. Editor: My first thought? It evokes a kind of hushed, reverential stillness. The pale print on the delicate pages feels almost like peering into a memory. It really whispers rather than shouts, doesn't it? Curator: I agree; the tonal values definitely lend the piece a contemplative atmosphere. I'm drawn to how the formal layout—the typography, the image framed in red, and even the symmetrical spacing—contribute to the book's overall harmony. Editor: That's it, harmony! But it's a bit of a staged harmony, don't you think? I can almost smell the beeswax polish and hymn books, it hints at such a rigid sort of faith that’s pretty alien to me these days. And the print itself; is that supposed to be Jesus ascending, or some kind of pre-Raphaelite daydream? Curator: I think that the engraving is trying to tap into narrative-art and genre painting to depict the collective spiritual journey across the annual Christian calendar, from Advent to Pentecost, reflected through verse. Notice, too, how it’s specifically called the "hundred-and-twenty-eighth Edition”, suggesting its enduring appeal through time, its constant rebirth year after year. Editor: That is compelling! And it's the enduring appeal despite whatever rigidness or stuffiness I might perceive. Perhaps it is the quiet, consistent rhythm, week after week, that brings comfort. The composition seems pretty calculated, down to every detail and typeface choice. Everything pointing to this controlled emotional landscape. Curator: Indeed. It offers an exercise in refined aesthetic, from paper choice to typesetting and represents a spiritual exercise with deep semiotic values. Editor: So, it's more than just words, but rather a whole system? Very insightful, thank you. Curator: Of course. Thanks to you for helping unwrap all the delicate layers of thought and purpose behind the edition.

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