Jacht op vogels met lokuilen en vogellijm by Jan (II) Collaert

Jacht op vogels met lokuilen en vogellijm 1594 - 1598

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print, engraving

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print

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landscape

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mannerism

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genre-painting

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engraving

Dimensions: height 200 mm, width 271 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, here we are at "Jacht op vogels met lokuilen en vogellijm," an engraving by Jan (II) Collaert, dating back to 1594-1598. It’s currently held in the Rijksmuseum. Editor: What strikes me immediately is this overwhelming sense of industry… of organized…capture. It's busy, with an odd stillness at the edges. Almost like a bizarre little play is unfolding before us. Curator: Indeed. The composition demonstrates a masterful grasp of Mannerist landscape conventions. The meticulous detail, evident in the rendering of the trees and distant mountains, is juxtaposed against the foreground figures engaged in the act of hunting. Note the use of engraving to achieve nuanced tonal variation and textural detail. Editor: Textural indeed! I can almost feel the stickiness of the birdlime. Makes me squirm a little. But also, the way the figures are hunched, almost blending with the trees. Are they part of the landscape too, just another element in this…sticky situation? Curator: The figures serve both as compositional elements and narrative agents. Semiotically, they signify human intervention in the natural order, illustrating both ingenuity and perhaps a certain predatory detachment. Consider also the interplay between foreground and background, which constructs a narrative tension— the meticulous preparations in the foreground yielding to the more panoramic, perhaps less controlled, expanse of nature beyond. Editor: Predatory detachment, yes, you put it perfectly. But the beauty, that idealized landscape shimmering behind the brutal act, makes it almost… surreal. It’s like the image is asking if beauty can excuse cruelty, or perhaps, mask it entirely. It's a little unnerving. Curator: Precisely. The engraving, through its formal elements, evokes a contemplation on humanity’s place within the natural world and the ethical implications of its actions. The piece certainly showcases technical skill with profound theoretical underpinnings. Editor: Yes. Thinking about this image has definitely opened up quite the Pandora’s box, hasn’t it? I might need to go find some feathers, glue them to something random, and release it into the gift shop just to sort of deal with it. What about you? Ready for another dive?

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