Boeken op een plank by Magdalena Roghman

Boeken op een plank 1650

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graphic-art, print, engraving

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graphic-art

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aged paper

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toned paper

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dutch-golden-age

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print

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pen sketch

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book

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old engraving style

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sketch book

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personal sketchbook

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pen-ink sketch

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line

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pen work

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sketchbook drawing

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sketchbook art

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engraving

Dimensions: height 53 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: This image, "Boeken op een plank," or "Books on a Shelf," created around 1650 by Magdalena Roghman, immediately evokes a sense of quiet domesticity to me. The strong vertical lines almost feel like fortifications around knowledge. Editor: Yes, it has a peculiar rigidity, almost severity. The way Roghman renders these books with such strong lines gives them an undeniable presence. I wonder what kinds of access the everyday person would have had to these books, during this era? Curator: Indeed. Looking at this piece, made with graphic art techniques of the Dutch Golden Age, we see how the proliferation of printed material deeply transformed Dutch society. What kind of literacy did this represent, and who would have benefitted? Editor: Considering Roghman was herself a woman artist working in a male-dominated field, it’s intriguing to contemplate what role knowledge – represented here by the books – might have played in the expansion or constraint of social opportunity, and whether her access was impacted by societal and patriarchal restraints of that time. Curator: Absolutely. The books aren’t just objects; they are symbols loaded with meaning about learning, class, gender, and even resistance. How did Roghman navigate this world? The almost obsessive detailing here gives them weight, like she is trying to imprint a record. Editor: And in some way, this small engraving becomes a document of her time as much as the contents within these books might be. Perhaps even acting as her own silent yet firm proclamation to a seat at the proverbial, historical table. It’s the political symbolism behind the domestic scene, made both apparent and concealed, simultaneously. Curator: What initially seemed like a humble still-life blossoms into a window through which to explore profound questions about identity and societal participation in 17th-century Netherlands. It really underscores the complex ways women, and artists particularly, operated in Dutch society during that era. Editor: Yes, examining the political landscape in which an artist produces, helps bring what seems to be, just some books on a shelf, into a place filled with meaning.

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