Wapen van Hilversum met bloemornamenten by Reinier Willem Petrus de (1874-1952) Vries

Wapen van Hilversum met bloemornamenten 1924

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drawing, graphic-art, ink, pen

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drawing

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graphic-art

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blue ink drawing

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ink

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geometric

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pen work

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pen

Dimensions: height 165 mm, width 133 mm

Copyright: Rijks Museum: Open Domain

Editor: This is Reinier Willem Petrus de Vries' "Wapen van Hilversum met bloemornamenten," made in 1924. It's a drawing rendered with pen and ink. It looks like a design for a crest or emblem. What are your thoughts on the making of this work? Curator: Well, this piece prompts us to think about the labour embedded in graphic design and heraldry. Look closely; the precise pen work involved, almost like a manufactured stamp, challenges a high/low art dichotomy, especially when created for a civic commission. The grid background—do you see it?—further emphasizes this process-oriented approach, revealing the planning stages. Editor: That's a good point. I didn't initially think about the labor involved, or the way it almost seems like it could be mass produced given the careful lines. What about the materials themselves? Does the choice of pen and ink speak to anything? Curator: Absolutely. Ink, traditionally associated with both bureaucratic documentation and artistic expression, becomes significant here. Consider how readily available, yet archival, ink is compared to, say, paint. The graphic nature emphasizes legibility and reproducibility for civic purposes, right? This reflects a certain social utility embedded in the piece. Editor: I see. It's like the materials were chosen specifically for their practical purpose, yet combined with the artistic rendering to achieve a kind of... accessible, public art. The floral ornamentations alongside the rigid shield shape almost speak to the push and pull of tradition and modernity in 1924, doesn't it? Curator: Exactly! How does this influence our understanding of the social value given to craftsmanship, design, and the very act of material production in early 20th-century Netherlands? Editor: It sounds like the value lies not only in the image, but the artistic labor of its making. Thanks, I’m thinking about this drawing in an entirely new light now. Curator: And I’m left pondering the role of this design within the wider network of civic production. Fascinating!

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