Lacus Nemorensis, sive Ariciae c. 16th century

Curator: This is Hendrick van Cleve III's "Lacus Nemorensis, sive Ariciae," a print from the 16th century residing here at the Harvard Art Museums. Editor: It’s like looking at a dream… or maybe a stage set? So meticulously arranged, but with this strange, serene mood. Curator: Indeed. Note the meticulous rendering of the landscape, organized into a circular composition. The temple at the center anchors the whole design. The contrast between light and shadow is also crucial. Editor: It’s a very cool composition. It's almost like the lake is holding its breath, waiting for something dramatic to happen. It’s got potential for a great story! Curator: Perhaps the story lies in the very structure, the balanced interplay of natural and architectural forms, not some singular event. Editor: Maybe… or maybe it’s both? Anyway, I'm left with a sense of calm intrigue, a feeling I'll hold onto for a while. Curator: A valuable takeaway. Indeed, it provides a lens to consider constructed landscapes and the aesthetic principles that underpin them.