Boerin met kind by Anonymous

Boerin met kind 17th century

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print, engraving

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portrait

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baroque

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print

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old engraving style

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landscape

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figuration

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line

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genre-painting

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engraving

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realism

Dimensions: height 165 mm, width 123 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have an anonymous 17th-century engraving called "Boerin met kind," or "Farmer Woman with Child," here at the Rijksmuseum. There's such a starkness to the line work; it makes the figures seem almost monumental against the desolate landscape. What can you tell me about it? Curator: I'm struck by the textures created through the engraving process itself. Consider the woman's clothing – the visible wear and tear, the coarse fabric depicted through careful manipulation of the engraver's tools. It's not just a depiction of a peasant woman; it's a material record of labor, of the processes of production and consumption within 17th-century Dutch society. What does the worn quality of their clothing tell us about their socioeconomic standing? Editor: I guess it tells us that life was hard. The fact that their clothing is falling apart in different places shows how rough that type of manual labor was. Curator: Precisely. And look at the landscape; not a romantic vista, but rather a harsh, unforgiving terrain. How does that compare to idealized landscapes created for wealthy patrons? This is not art celebrating power. This artwork emphasizes the conditions under which laborers produced the materials which fed wealthy merchants. We need to understand not only what is depicted but *how* it’s depicted and *why*. Editor: So the very act of choosing this subject matter and representing it in this raw way challenges the traditional art hierarchy. Curator: Exactly! By focusing on the material reality of the peasant class, the artist elevates their status, acknowledging the often-invisible labor that sustains society. It blurs the lines between "high art" and a form of social commentary. Editor: I never considered how the depiction of something seemingly simple like clothing could be such a powerful statement about labor and class! Thank you! Curator: My pleasure! It's about seeing beyond the surface to understand the materiality of the world around us, and the power dynamics inherent in artistic choices.

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